Allowing the Anatolian people to express the elegance, imagination, intelligence, and perspective of the world with its own unique structure, the traditional Turkish handicrafts shed light on the past with its heritage and products. Many handicrafts are transformed into a work of art as a result of our approach to everything with a fine point of view, while emerging from the essential necessities of life and geography. We are examining some of the works of art that are the work of great patience and vision, and along with activities that allow you to breathe and get rid of the stress and the chaos of the city.
Each religion shapes its own culture with its own teachings. There are many art forms that Islam has shaped. The most popular of these is the art of calligraphy, which is still being held in the workshops, the academies, the art stores. Calligraphy is a writing art that emerged as a Quranic center. It is based on the beautiful writing of the Quran and its reproduction in this way. But it has enlarged over time, and it has benefited from this art especially in the writing of the popular lines and poetry of the Ottoman period. It has different varieties such as Kûfi, muhakkak, nesih, Rika’, tevki, talik. The calligraphy found its most beautiful form in the talik writings of Mehmet Izzet Efendi, where it was performed with the Arabic letters because of its circular structure. Even the brilliant designs of the tughras of Ottoman Sultans came out with different forms of this art.
The expression for dancing of colors probably finds its most beautiful shape in the marbling art. It is not known exactly when it emerged, but the history of the paper marbling art dates back to the 9th century. It is estimated together with the materials and methods used that it emerged especially around India and Iran. But as it is in many visual arts, the most beautiful examples were given in the Anatolian geography during Ottoman times. In a specially manufactured building called a boat, a composition by adding a mixture of dyes and dyes in the tragacanth water is obtained. Then a special piece of paper is routed over the water in the boat, and the paint on the boat is transported to the paper. The most beautiful side of the art is the reflection of different images and color tones on the paper that even surprises the artist of the paper marbling art. The essential part of paper marbling art is bile, a substance in the bivalve of bovine animals, and it is used as a means of joining the water and producing magnificent patterns.
There are different varieties such as Oversize Marbling, Tide Marbling, Shawl Marbling, Crested Marbling and Flowered Marbling.
One of the branches of the art that develops around the writing, illumination uses a very precious metal such as gold as a gilding material. Fine gold leaves are used in the art of illumination, which is the projection of Ancestry in the foreground of writing and drawing. In fact, in the art of illumination, which is related to the art of calligraphy, the surroundings of the calligraphy are adorned with some applications in which the main material is gold plates. Gold is mixed with different colors and glues to obtain a very thin and soft texture.
Later on, a special tool in the form of a pencil-shaped hard stone, called “mühre”, is millimetrically processed on the periphery of the line. Especially in the Quran, the art of illumination to protect the wordings has been developed in parallel with the art of calligraphy.
The miniature art, which goes back to the 2nd century papyrus, is one of the common art techniques of both the east and the west. The name “minium”, which is the preferred name for writing the first letters of the manuscripts used in Europe in the Middle Age as capital and red, is taken from the lead oxides. Lead oxides give a red color to the writing. Already in the Ottoman and Seljuk ‘s miniatures, red is the main color. Based on the drawing of real life objects in smaller dimensions as an art technique, miniature is a different art of embroidery and portraiture, which can be done with materials such as paper and ceramics. In Turks, miniature first appeared in Central Asia during the 8th and 9th centuries, then continued to develop during the Seljuk and especially Ottoman times.
In the decoration of the books, especially in making portrayals in the works of handwriting, miniature is highly used. Miniature, which has its own rules, is different from painting art. While attempting to reflect the objects individually in the picture, it is almost forbidden to draw the objects together with an Islamic theme in the miniature art. For this reason, the reality is distorted and then included in the miniature. The human hand is drawn with four fingers and the details on the nose and eye in the images are not reflected.
Thus, miniature, which is a different license for the art of painting in terms of Islamic point of view, is used even in the historical artifacts of the period, so that all the organizations made by the Sultan, ceremonies of accession to the throne in Ottoman Empire, reach the present day. The most notable miniature artist is Levni, who lived in the 17th century.